Download PDF Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV, by Richard Davis
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Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV, by Richard Davis
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Product details
Paperback: 424 pages
Publisher: Berklee Press; 2 edition (May 1, 2010)
Language: English
ISBN-10: 0876391099
ISBN-13: 978-0876391099
Product Dimensions:
5.9 x 1 x 9 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
55 customer reviews
Amazon Best Sellers Rank:
#485,303 in Books (See Top 100 in Books)
Being an alumni of Berklee College of Music, the course this book was designed for was something I wanted to take, but I had already filled my elective courses required to graduate. I thought at some point I'd buy the book and read through it. Doing a lot of composing is something I've been into the past few years and I thought this book might give some great insight into the art of it. However this is not the case. The book seems more about the history and business side of things. Things like how to go about getting your music out there and how to make contacts. All of which is great information for anyone looking to potentially work as a composer.Don't get me wrong, I'm not knocking this book by any means, but I was slightly mislead by it. It's a great book for what it was written for and for that I'll give credit where credit is due. If you are like me and looking for a book that talks about the actual practice of composing this is book you'd pass on.
As a teacher of music this was a perfect fit for my class...we are creating film music for our stories. This IS the book for that.
The text was completely blurry on the desktop version of Kindle. So much so that I couldn't read it. It looks like the Kindle version of this book is just a series of jpeg scans from the book. The text is not selectable, the dictionary cannot look up the words, highlighting doesn't work, etc.
I thought this book was very insightful and after 8 years in this business as a music supervisor, I was still able to learn something new! Thoughtful quotes from rockstar composers and a great overview of the composting process from beginning to end! It's also nice that they have a section in there about the business side of composing.
A great little book on the elements that make up the film scoring business. Although it's mostly centered around the Los Angeles scene, its information gives a fresh and industry relevant insight into all aspects of the process behind film music. It reminds one of the harsh realities and time constraints a modern day composer faces when scoring for film (even harsher for television). There is a small section on creative process, but those looking for a guide to composing for film should look elsewhere as this mainly touches on the technicalities of creating music keeping budgets and time constraints in mind. Explanations of the different roles people hold in the music department and their interconnecting relationships are very interesting, especially working with directors. This book basically covers the lot and opens aspiring composers to the inner workings of the film music business. I'm glad I got it.
It's seemingly hard to find literature on the subject, so I don't have much to compare this book to. That said, I've learned SO much and I'm only about half way through. I was gonna skip to the parts that I thought would apply more to my current situation and I'm so glad I didn't. All of it is relevant, useful, and a good read. If film scoring is your thing, you should own this book.
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